This photographic series amplifies to the extreme the fetishistic veneration of straight lines and vertical structures—the most essential elements of contemporary architecture. What emerges is no longer the figure of a building, but rather pure geometric forms that visualize mathematical structures. This symbolizes the overwhelming dominance of science within modern human thought, leaving us with no choice but to gaze upward in awe.
What lies at the end of this radical perspective? What awaits us beyond the history of modernity? This work symbolically records a new kind of Gothic architecture—one that arises in an era after the death of God.
